In art, Vojkan Morar has found the possibility to express himself and his
relation with the world. Following his own internal impulse and his need
to paint, he has created and he continues to create pictures whose main
peculiarity is the complexity (ambiguousness) od content and the
sponatneity and directness of his personal painting procedure.
He is inspired by the time he lives in, by the events from his personal life, literary and music works of art. His artistic solutions are the visual symbols of his efforts to understand life and to penetrate its secret. Instead of being concerned by the description of events of spectlacles, he concentrates on psychological symbolic events of the hellish atmosphere of the time he lives in. Man is present on all his pictures (man endangered, helpless, alienated, unable to find the right way, a man who lost control of his reason, looking for salvation, melancholy man, man with his fears, uneasy, anxious and hoping, man not reaching peace, not reaching love, man trying to rise spiritually). These pictures of expressive strength, complex and surrealist, are permeated with the atmosphere of existential as well as intellectual agitation, or show that the obssesive visionary reality can easily become man's reality one day.
His creation of the picture is in itself interesting. The picture is
generated fast, it is the psychic unburdrning of the painter and the
immediate, direct realization of the person on canvas.
Vojkan Morar has realized his art visions using his distinct art
procedure, having some points of contact with surrealistic and abstract
art heritage. Paint is the essential element in his work. PAint is a
powerfull means of expession, through wich he achieves certain
atmospehere. One sees relief and surface painting, play between light and
dark, tone gradation of paint in order to achieve depth perspective,
tones of ocher, yellow, purple, blue, green, grey, cinober, carmine,
black. The colours of diluted pigment are poured out, combined with parts
of hard pigment shaped like treads of leaks. Sometimes paint drips from
the brush, sometimes it leaks, it is unrestrained at times. Some
surfaces are sprayed, others have the effects similar to the docalcomanic
technique. Thus he gets the fluid foggy space atmosphere from wich the
elongated Giacomettian ghostly bodies or processions of human figures
reduced to the miniature black contours surface or into which dive.
Apart from canvas and paint, Vojkan Morar uses clay for transformation of his ideas. His clay figures are small, elongated forms, whose expressiveness matches the painted ones'. With such artistic language Vojkan Morar, a gifted creator, at the peak of his creative strength, expresses the truth of life.
Struktura slike u svojoj pozadini je vrlo komplikovana ali jasna i ubedljiva. Svestrano i sa akcentom savremenosti postavljeni kolorit oznac"ava autora kao apsolutnog zagovornika inovacija u svetu slikarstva. S"to dalje o obic"nog i prepoznatljivog to bliz"e sebi samom.
Vojkan Morar rodjen 1966 g. u Panc"evu gde i danas z"ivi i radi kao
mlinar, slikar i vajar.
Aktivno slika od 1986 godine.
Godine 1988 uc"estvuje u dve kolektivne izloz"be u Panc"evu.
Uc"estvovao je na takmic"enju
Art-Horizons international New York 1989-90g.
U periodu od 1990 g. do danas priredio je vis"e samostalnih izloz"bi: